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10 Sep 2017: New York: Oxford University Press, 1976. III. Bibliographies. 508. Watson, George, ed.

The home of Edmund Spenser studies on the Internet. Abstracts from Spenser Studies. Volume XXXIII, 2019. Richard Z. Lee, Wary Boldness: Courtesy and Critical Aesthetics in The Faerie Queene. In Book VI of The Faerie Queene, Spenser figures courtesy

Stokes, Nadia Togni, Svetlana Tsonkova, Matilda Watson, George Younge. Posted in:Tagged:Post navigation.

I am thinking here of Robert Watson, ‘False Immortality in Measure for Measure: Comic Means, Tragic Ends’, Shakespeare Quarterly, 41 (1990), and Kiernan Ryan, ‘Measure for Measure: Marxism before Marx’, in

All interpreters agree that Holmes was smarter than Watson; in crashing obviousness lies objectivity. ... Smartness, for example, is a modern category that might not map easily onto Holmes or Watson.

The only significant human presence, however, remains opaque. In the environmentally-aware Shakespeare criticism of Robert Watson, Gabriel Egan, and Simon Palfrey, it’s apparent that the problem of other minds

Thomas A. Prendergast, Poetical Dust — Nicola Watson. ... Simon Smith, Jackie Watson, and Amy Kenny, eds., The Senses in Early Modern England — Joe Moshenska.

I am thinking here of Robert Watson, ‘False Immortality in Measure for Measure: Comic Means, Tragic Ends’, Shakespeare Quarterly, 41 (1990), and Kiernan Ryan, ‘Measure for Measure: Marxism before Marx’, in

I am thinking here of Robert Watson, ‘False Immortality in Measure for Measure: Comic Means, Tragic Ends’, Shakespeare Quarterly, 41 (1990), and Kiernan Ryan, ‘Measure for Measure: Marxism before Marx’, in

All interpreters agree that Holmes was smarter than Watson; in crashing obviousness lies objectivity. ... Smartness, for example, is a modern category that might not map easily onto Holmes or Watson.